Food, food culture, food as culture and the cultures that grow our food

Food-related film at the Berlin International Film Festival

February 9, 2006

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Pack up your yurt, we’re moving to the steppes of Berlin for a week, where it’s much colder than it was in Rotterdam, and where a yurt will come in handy. The craziness begins today at the Berlinale, the Berlin International Film Festival. Culiblog will be attending the madness for an entire week, from Saturday the 11th until the 19th, reporting on all food-related films and presentations.

This year there is a glut of food-related film because aside from the regular programme, food, hunger and taste are the subject of the Berlinale Talent Campus, a platform within the Berlinale festival. The Berlinale Talent Campus creates opportunities for young filmmakers to meet with les eminences grises from the film industry and the folks from the more active side of food and food culture as well. Alice Waters, Vandana Shiva, Carlo Petrini will all be there.

Once again, I’ve created a culiblog food-related film selection culled form the entire Berlinale programme for those willing to move beyond Babette’s Feast. Oh dear, it’s 2006 and they’re actually showing Babette’s Feast!

The culiblog selection at the the 56th International Berlinale Film Festival:

And what will I be doing in my mornings and on Wednesday and Thursday? Lolling about and slacking off? Why I’ll be re-viewing the thirty-two (32!) short films on food, hunger and taste at the Berlinale Talent Campus, chit-chatting with the directors, watching the odd non food-related film.

You’ll be needing these links as well:

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debra at 14:12 | Comments (6) | post to del.icio.us

Drawing Restraint, dragging ambergris

February 5, 2006

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Occidental Guest (bride), production still from Matthew Barney’s Drawing Restraint 9, copyright Matthew Barney, used without permission

Filled with expectation unsuitable for the company of friends, clutching a fat wad of tickets between fingers reeking of quickly eaten, mediocre sushi, it is unwise to view the best film of the festival first. It just ruins everything, and this is exactly what happened to me on January 30th when, in the exquisite ‘old’ Luxor cinema in Rotterdam, I saw Drawing Restraint 9.


Shimenawa, production still from Matthew Barney’s Drawing Restraint 9, copyright Matthew Barney, used without permission

Drawing Restraint is artist Matthew Barney’s 2006 film entry in the International Film Festival Rotterdam and as well the Berlinale Film Festival, where he is a member of the jury. Avant-pop artist, composer and girlfriend Björk composed the soundtrack. Their collaboration is astounding on all levels; the film will make you cry, it is that beautiful. Aside from being culiblog’s favourite at this year’s festival, the film is exemplary of food-related film in the culiblog sense of the word; food, food culture, food as culture and the culture that grows our food.

Matthew Barney is the Lance Armstrong of contemporary art. In my opinion, no chef can yet lay claim to this position. Drawing Restraint 9 is also the best food-related film ever made, a lavish display of sensuality and ritual.


Barney on the left, Armstrong on the right

Drew Daniel of Matmos wrote this stellar description of Barney’s art practice on Björk’s DR9 website:
Barney is a visual artist whose ambitious, rigorous multimedia work encodes esoteric meanings while providing lushly immediate aesthetic rewards. Best known for The Cremaster Cycle, the sprawling sequence of five films made over ten years which was the subject of a recent Guggenheim retrospective, Matthew Barney’s work is multimedia in execution but singularly focused in conception: tightly unified fusions of sculpture, performance, architecture, set design, music, computer generated effects and prosthetics, Barney’s films deploy the full range of cinematic resources in the service of a hermetic vision rich with densely layered networks of meaning drawn from mythology, history, sports, music, and biology.

This is a sexy way of saying that Barney’s work is based upon his own elaborate and logical cosmology. In Drawing Restraint he playfully turns materials, forms, geometries and processes (e.g. petroleum jelly, silicone, whale blubber, ambergris, other marine excretions and accretions), cultural-historical narratives and geographic trajectories (e.g. the architecture, interior and machinery of a whaling ship, the culture of whaling, the history of a specific ship) and the experience of time (e.g. pearl oyster divers holding their breath under water, the migration of whales, a Japanese tea ceremony), into a luscious weave of deeply connected meaning and narrative.

This is where chefs tend to slack off.

But this is Barney’s demarrage, an escape or breakaway that gives him an advantage over the rest of the ‘field’. Whereas it is common for a chef to create a ‘richly organized set of aesthetics’ (as Drew Daniel describes Barney’s approach to making art), I know of no example within the culture of contemporary haute cuisine in which a chef recontextualises elements on this level to form a total experience beyond the formal boundaries of restaurant culture. Perhaps I’m not going to the right sort of parties. I long for an haute cuisine that is less ‘applied’ and more autonomous.
(Please read more… )

debra at 20:51 | Comments (7) | post to del.icio.us

Yesterday’s news: anti-advertgames

February 3, 2006

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“Making money in a corporation like McDonald’s is not simple at all. Behind every sandwich there is a complex process you must learn to manage: from the creation of pastures to the slaughter, from the restaurant management to the branding. You’ll discover all the dirty secrets that made us one of the biggest companies of the world.”

So state the Italian artist-activist makers of the McDonalds anti-advertgame, Molleindustria. I don’t know if the fact that the rainforest is being destroyed to grow soy beans for hamburger meat or that cows are fattened with industrial garbage in feed lots is a secret anymore, but playing the online game illustrates that it definitely is a challenge balancing the economic factors of selling a burger without turning into a blood sucking evil-ass. After playing McDonalds for an hour, I had not once succeeded in making a profit and in fact I caused the company to go bankrupt every few minutes.

And if you’re thinking, ‘couldn’t happen to a nicer bunch of guys’, have a go.

The tip off is from Regine at we-make-money-not-art, a trend and technology blog. Thank you!

debra at 9:21 | Comments (1) | post to del.icio.us

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